The horror director talks Holliston, Hatchet III, and his future in horror
Tuesday, December 18, 2012
Nothing can be worse than being stuck on vacation with your clueless father and his overly sexual girlfriend. Until, of course, you take a detour at a quaint diner famous for its organic burgers, and come to find that its specialty is turning people into angry drones with a case of mad cow disease.
The 2007 horror comedy, The Mad, stars Billy Zane (Demon Knight) and Maggie Castle (Todd and the Book of Pure Evil) as a father and daughter trying their best to get along and adjust to each other’s significant others while on a road trip. The tension between the pair is already heightened when they make the fateful stop that forces them to put their differences aside and work together to survive. The duo faces their issues and rebuilds their relationship all while slaughtering the grazing mad.
The Mad is easily overlooked by moviegoers because on the surface, it doesn’t have much that makes it stand out against the competition. The premise, along with the DVD artwork, is enough to make a person prematurely decide that it’s not worth watching. However, upon viewing the campy film, there are unique and genuinely funny moments that make the movie an enjoyable experience and actually better than some bigger budget horror flicks that are released today.
The pairing of Zane and Castle as the father and daughter was spot on. Both characters had quirky personalities that meshed well together and both actors’ deliveries in specific scenes were done perfectly enough that the jokes were understandable—and funny.
It was refreshing to see Zane in a fatherly role, one that he played with the right amount of wit and dry humor, showing off his comedic chops and range of character, which was completely different than his character in Demon Knight. Castle is also naturally funny as she played the moody teen effortlessly, showcasing the talent that landed her the role of Jenny in Todd and the Book of Pure Evil.
Zane and Castle’s performances in the film are enough to keep you watching and it is clear that the pair understood the point of the film and the way that the characters were meant to be presented. The Mad is an intentionally cheesy and campy horror that did not want to be taken seriously. Because the actors understood what the director wanted to present, they were able to give off the comedic feel to audiences, making the exaggerated scenes seem reasonable.
One particular scene, a dialogue between the group of characters on the issue of zombies and the undead, is the highlight of the film. In most zombie movies the characters are completely clueless as to what the monsters are; in The Mad, they poke fun of this and actually question what they are dealing with. One cannot help but laugh as Zane and the others question what zombies actually are and how one becomes a zombie. The use and misuse of the term, along with the word “undead,” is talked about in a way that is subtle enough to make you laugh and not make you want to roll your eyes.
Along with the zombie discussion, there is another scene where Zane’s character, a doctor, insists that he needs to get an infected person to examine and somehow use the information to create a cure. Zane’s deadpan delivery, along with the immediate laughter from the rest of the group, makes for another hilarious moment, mostly for its self-awareness of the genre. The scene acknowledges the over-the-top situation and includes a ridiculous scenario that characters in similar movies often say, poking fun of it and balancing out the situation.
From there, Zane and Castle’s relationship grows stronger and their comfortableness with each other really shows on the screen. The pair is very good at playing off one another, which works well in another scene where they have to kill the mad people while simultaneously having a heart-to-heart conversation in a field. The way in which the scene was done is memorable because it was both funny and somewhat serious at the same time, allowing the characters to get “sappy” with each other without taking away from the rest of the film’s “horror” element.
There are several moments that are worth mentioning about The Mad because it is a creative movie, despite its overly-done “zombie” story. Although the movie isn’t entirely laudable due to a slow start and some unnecessary scenes, it is a decent campy horror overall. The atmosphere had a very 50’s/60’s monster-movie feel, similar to Attack of the Killer Tomatoes.
Yes, the premise is ridiculous but that was the point; the film is supposed to be unbelievable and exaggerated for the sake of making one laugh. Horror fans will appreciate the bits of humor and references sprinkled throughout the film and even though they may not enjoy the entire movie, they will be able to get a good laugh at certain moments that were specifically made for them to understand.
Saturday, December 15, 2012
The NiceThe Cabin in the Woods
Where do I even begin? The Cabin in the Woods is a movie created by horror fans, for horror fans and it does not disappoint. The film, written by Joss Whedon and Drew Goddard (who also directs), is filled with everything that horror fans normally expect but it is executed in a very smart and respectful way. Although there are moments where the film pokes fun of the genre, it also praises it for the things that it can create and the emotions it produces from fans. It contains balanced humor and scares, and it has the best final act of any movie I have ever seen. Not only is the movie entertaining, it is intelligent and makes you think about the genre as a whole and how we as an audience effect the things that are being churned out by production companies. To read my review of the film, click here.
The Loved Ones
This film was technically released in 2009; however, it didn't reach US audiences until Summer 2012. The Australian export won the Toronto International Film Festival Midnight Madness Peoples Choice award and has received praise from critics and fans alike, and for good reason. Director and writer, Sean Byrne, created a cinematically beautiful horror full of bright colors and eighties-esque music, transporting audiences back to the days of high school and John Hughes...only psychologically darker. The film's protagonist is a female, played amazingly well by Robin McLeavy, showcasing that men are not the only ones to be feared in the genre. Although the hype machine let me down slightly, I was impressed by the performances and visuals that the film had to offer. Check out my review here.
With found-footage films being release almost every other week, it's tough to find one that is unique and a genuinely great horror film. V/H/S took the found-footage format and put an anthology spin on it, creating a creepy, unsettling, and totally entertaining movie. Not all of the stories were home-runs (Tuesday the 17th, anyone?) but some were awesome and were capable of producing HOLY SHIT moments--at least from me, anyway. My favorite tale of the five is, without a doubt, Second Honeymoon, directed by Ti West. The story was extremely subtle and realistic, mostly in part from the actors' performances. When the climax finally comes, it seems almost unexpected due to the way that West paced the story and played with audiences throughout the segment. Other filmmakers involved in the project include, Adam Wingard, David Bruckner, Joe Swanberg, Glenn McQuaid, and Radio Silence.
The Walking Dead
The Walking Dead has taken so much flak from viewers and IMDb trolls, trashing the series for being too slow and not having enough zombie action. Well, the third season of the hit series attempted to shut the haters up (but, lets be real, IMDb trolls will never die) by starting off at full speed and continuing all the way until the mid-season finale. The season so far was filled with major character deaths just four episodes in, and so many brutal head shots that one could barely keep count. The third season also introduced fans to the beloved and infamous governor, who has lived up to his reputation so far. David Morrissey plays the character with enough charm and menace to make it hard for fans of the series not to love him. The rest of the season will pick back up in February and considering that the Governor lost his eye and Darryl has been captured, shit is going to get even crazier.
Horror fans finally got a sitcom made specifically for them. The lovechild of Adam Green and Joe Lynch, Holliston is executed as a typical sitcom with a laugh track and occasional sentimental moments, and it also includes horror references and storylines that only true genre fans will know and enjoy. The series is based on Green's life and is set in his hometown of Holliston, Ma (represent!). The hilarious series also stars Corri English and Laura Ortiz as the pair's lovable gal pals. The show is sprinkled with guest appearances from horror icons, as well as New Englander references, which I can appreciate. A Christmas holiday special will air on FEARnet, Tuesday, December 18. For more on the series, read my review here and check out my interview with director Adam Green!
NaughtySpace Channel (Canada)
One of Canada's best horror-comedy exports, Todd and the Book of Pure Evil, was cancelled in the Summer, leaving horror fans crushed. The series contained everything that a horror fan could love: metal, horror, sex, and comedy, all set in high school, everyone's one-time hell on earth. The series perfectly balanced coming-of-age issues with horror fantasies, allowing fans to escape with their favorite group of misfits each week. Sadly, the Space Channel was blind to this perfection and cancelled the series before letting it fully establish itself and find its groove. Shame on you, Space channel. To read my love letter to the late series, click here.
The Tall Man
Here's a bit of advice to advertisers: don't advertise your movie as a horror movie if it isn't; you will only anger true horror fans if you do. The Tall Man presented itself as a horror that revolved around the legend of the tall man; an entity who kidnaps children in the middle of the night. However, halfway through the film, everything goes in a completely different direction and the movie becomes something unexpected--and not in a good way. The big reveal is given away far too early, making viewers question why they should bother finishing the movie. The film was trying to be a lot deeper and give a powerful message, except it sucked in doing so. To read my review of the awful movie, click here.
True Blood started off so strong in the first two seasons but lately, it seems to have lost its spark. The series showrunner, Alan Ball, departed from the HBO hit last season and although I doubt his departure had an effect on the series (it wasn't any better with him), the show is sinking slowly. There are elements of the series that are still enjoyable and there are likeable characters; however, the things that those characters are being forced to do is preposterous (I always wanted to use that word!). Lafayette has been totally neglected and abused with his storylines and Bill has become unlikeable. Alcide's character is almost pointless, especially if he's not going to have a relationship with Sookie. And Jason, well, Jason doesn't love Jess anymore and he hates all vampires. Whatever. The series is becoming too ridiculous and cheesy for my standards and the storylines have no payoff at the end. Let's hope that the next season is an improvement.
I love Rooney Mara, I really do. She is a talented actress and she proved herself in the US version of The Girl with the Dragon Tattoo. That being said, I think she can occasionally say stupid things when she's trying too hard to seem effortless and totally opposite of the "Hollywood type" in the industry. Case and point, in an interview with Entertainment Weekly, the football heiress made some questionable comments regarding her portrayal of Nancy in the remake of A Nightmare on Elm Street, the film that gave her a start in the industry. Mara casually explained that she didn't even want the role, almost as if it were beneath her, but she auditioned for it anyway. She stated, "Sometimes you don't want to get something but you do a really good job and you get in anyway. That's kind of [what happened] with A Nightmare on Elm Street-I didn't even really want it. And then I went in [to audition] and I was like, [whispering] "F---. I definitely got that." Oh, Rooney. You are lucky that I like you.
During the Summer, the country was abuzz over a cannibalistic attack on a homeless man in Miami. The attacker ate the man's face and was unresponsive to police when they demanded he stop. The situation becomes even more interesting when the police officers shot the attacker and he proceeded to attack, completely unfazed by the bullets. Everyone cried ZOMBIE! Someone eats another person and doesn't respond to bullets is pretty unusual and horror fans know never to dismiss anything peculiar. In actuality, the man was suspected of being on bath salts (a designer drug similar to cocaine and meth); however, the drug was never found in his system. This attack started a slew of drug-related attacks all over the US and even in China! The news reports that poured in detailing the unfortunate ones to become victim to cannibals only reinforces the idea that DRUGS ARE BAD. Bath salts--and all other drugs--are definitely on the naughty list this year. Here's to hoping that there will be no future face-eating happening in 2013.
He knows when you are sleeping. He knows when you are awake. He knows when you've been bad or good and in case he missed you, I compiled this list for Santa as a guide. What have been your favorite and least favorite horror movies and/or moments of 2012?
Friday, December 7, 2012
The book's synopsis is as follows:
"Heidi Hawthorne is a thirty-seven-year-old FM radio DJ and a recovering drug addict. Struggling with her new-found sobriety and creeping depression, Heidi suddenly receives an anonymous gift at the station-a mysteriously shaped wooden box branded with a strange symbol. Inside the box is a promotional record for a band that identifies themselves only as The Lords. There is no other information. She decides to play it on the radio show as a joke, and the moment she does, horrible things begin to happen. The strange music awakens something evil in the town. Soon enough, terrifying murders begin to happen all around Heidi. Who are The Lords? What do they want?”
The movie stars Sheri Moon Zombie, Ken Foree, Meg Foster, Dee Wallace, Sid Haig, Michael Berryman, and more.
According to Deadline, the series will follow two agents named Morgan and Rosetta as they investigate the paranormal, supernatural, and sometimes extra-terrestrial occurrences that are happening across the world. The series, written by Stargate's Carl Binder and The Librarian's David Titcher, has been ordered for 13 episodes.
Weird Desk is not the only "horror" series slated to premiere this Summer; Stephen King's bestselling novel, Under the Dome, has just been greenlit to be turned into a series to premiere on CBS. The show, which will be produced by Steven Speilberg, will also have 13 episodes.
Under the Dome will follow a similar storyline to the book it is based on, focusing on a small New England town that is mysteriously sheilded from the world by a transparent dome. Appocalyptic maddness soon ensues as residents try to uncover the mystery that surrounds them. I can't wait to hear all of the awful New England accents!
Are you excited about the upcoming series? My guess is that they won't last, at least Weird Desk won't. ABC never gives its programming a chance to grow and find its audience. Under the Dome may last a little bit longer, but eventually get cancelled, similar to Jericho.
Friday, November 30, 2012
Being in prison and having an unplanned pregnancy would suck in itself but add a zombie apocalypse to the mix and the situation is enough to make you wish you were dead. Season three of AMC's The Walking Dead premiered back in October and has been pushing the envelope at lightening speed, relentlessly killing off major characters and shocking audiences along the way. The pace hasn't slowed since its start and by the looks of this Sunday's mid-season finale, it doesn't appear to have plans to do so.
A lot has happened this season to make audience's feel uneasy and unsure of their favorite characters and those character's fates. The season opened with Rick and the gang finding the prison, months after the last season ended. The group cleared out the zombies and took the prison as their refuge, leaving viewers to believe that the survivors would be safe. Four episodes in and showrunner, Glen Mazzara, kicked us all in the gut by proving that no one is safe, not even early on in the season.
The first episode in, my favorite character, Hershel, got bit and had his leg amputated with an axe. The old man's life was questionable but luckily, he pulled through. In the midst of his amputation, Rick and the others met the prisoners that were hiding inside. Right away, Rick questions their intentions and his hesitations were right--two of them tried to kill him and take the prison for themselves.
When the prisoner begged Rick to let him back in, Rick stated, perfectly, "You better run."
BOOM. And then I fell deeply in love.
It was in that very moment where audiences realized just how much Rick had changed and how far he was willing to go to protect his people. He became a bonafide badass. A ruthless, sexy, southern (British) badass. Oh, and for the Lori haters--he hated her too, and actually made her feel like shit for everything she had done.
Rick wasn't the only noticeably different character; a few other survivors had changed as well, actually becoming likeable and relevant. Carl, the stupid child always getting himself into trouble and doing things like causing Dale's death, had stepped up and become useful to the group, running off to do productive errands for them and actually shooting up zombies.
He had also become considerably more horny and so had Beth, because the two constantly exchange creepy glances. Gah! He's 12, Beth. Even in an apocalypse, that is pathetic and illegal. And disgusting. He probably doesn't have ball hair yet, girl!
Speaking of horny, umm CAROL. Carol's hair still hasn't grown (and neither has body hair on any of the women) but she has become quite the flirt with the equally dirty-looking, Daryl. And, T-Dog actually spoke and had interesting things to say as well!
Things were just heating up between Lori and Rick as the two came to terms with their relationship when zombies overrun the prison and force Lori into labor. Lori gets separated with Carl and Maggie and when they realize something is wrong with the baby, Lori orders Maggie to cut her open. C-Sections in the apocalypse also look like no fun.
After having her uterus and lower belly cut open, Lori died, but not before telling Carl to stay good and Maggie to shoot her when she turns into a walker. As much as I despised Lori and her actions throughout the series, the moment where she breaks down and begs Carl not to let the world destroy him, completely destroyed me. It was a heartbreaking scene and in my opinion, she was taken far too early in the season, especially when her relationship with Rick was becoming a lot more interesting.
Meanwhile, as Carl watched his mom die, and inevitably shoots her, T-Dog practically hands himself over to walkers so that Carol can escape, dying as a hero, just as he was becoming an interesting character.
In the midst of this catastrophe, audiences are introduced to the Governor residing in the seemingly perfect town of Woodbury. Andrea and Michonne are captured and taken to the town where everyone is functioning as if the world were still normal, because there are men with guns--one of them is Merle--overlooking the gates of the town, ready to shoot down any danger that comes close.
The Governor keeps fish tanks full of heads of all the people he has killed and he also keeps his zombie daughter chained up in his house. But, don't worry--he brushes her hair and still embraces her, as a father should. He's only doing what's best. Right.
He presents himself as understanding and gentle when in actuality he is very manipulative and vindictive. In Woodbury, he has absolute power and power can make one feel above the law and unstoppable. Everyone is fooled by his facade, except Michonne, who leaves Woodbury and is chased off by Merle and the rest of the Governor's henchmen.
While hiding, Michonne witnesses Merle run into Glenn and Maggie on a supplies run, and after they refuse to take him to where they are staying--so he can reunite with his brother, Daryl--Merle shoots at them and manages to hold Maggie at knife point, forcing Glenn to do whatever Merle says.
The couple are taken to Woodbury where they are interrogated, beaten, and humiliated by the Governor and Merle. During all of this, Michonne finds the prison and informs Rick and the group what has happened. Trusting her, the gang set out to save their kidnapped friends.
The last episode before Sunday's finale ends with Rick's group finding Woodbury, waiting to attack, as the Governor plans to send his men out in search of the prison. The music that plays in the background sets the atmosphere perfectly, building up the tension and excitement for what is to come.
This season, particularly the last episode, has reminded me of 1985's Day of the Dead. Everything from the music, the people, and the situation, are all reminiscent of the Romero classic that changed the way audiences looked at zombies.
For one, in TWD there is a character performing tests on the walkers, trying to figure out if a person's personality is still in tact once they turn. The character is comparable to the doctor in Day of the Dead who performed the experiments on Bub, the zombie that could actually think. Of course, the outcome of Day carried on into Land of the Dead, where zombies could think, feel, and work together--just like humans. It will be interesting to see how the optimistic character in TWD plays out and if things are actually discovered about the walkers, as was discovered in Day of the Dead.
Comparisons aside, this season of TWD has been intense, and it's difficult to predict what will happen in the upcoming episodes. The group is becoming smaller and smaller and all of their morals are being tested, constantly. Even Glenn has changed, morphing from the weak and timid individual into the loyal, strong-minded character that he is now. Although he does care about Maggie, I got the impression that he would have let the Governor kill her in order to protect the location of his group.
Daryl has changed a lot as well, completely welcoming the group with open arms and accepting them as his new family. My prediction is that he will come face to face with Merle (obviously) and will have to choose whose side to take. He will choose Rick's side and the two brothers will fight to the death.
Speaking of choosing sides, Andrea has become involved with the Governor and she doesn't want to run anymore. She has a stable place in Woodbury and she actually agrees with some of the things that are being done there. Andrea will stay in Woodbury and she will fight for them, rather than Rick's group once they are reunited.
Everything is up in the air at this point because it has been proven early on in the season that anything can happen. The mid-season finale looks like it's going to be exciting and fun--and probably a bloodbath. It will be interesting to see where the season goes after this.
What are thoughts on the season so far? Are you excited for this Sunday's finale?
Look who else shares my birthday:
HE'S ALIIIIVE! In 1887, Frankenstein's monster, Boris Karloff was born
Friday, November 9, 2012
I recently had to write a paper (I'm in grad school now, woot woot!) and Rue Morgue's Monica S. Kuebler was kind enough to answer a few questions for me--around her busiest time of the year--Halloween. The topic of my paper is obviously horror-related, which is why I decided to post it for all of you to read. Enjoy!
When one thinks of horror and women, they probably don’t praise the genre for its feministic messages and portrayal of females. The immediate thought for most is of the screaming, helpless victim who falls prey to the villain time and time again; in whatever scenario the horror industry chooses to put them in next. However, jumping to the conclusion that women are just eye candy in horror would be wrong because women’s roles in the genre are much more important than what audiences see at first glance.
Most horror films—specifically slashers—follow a formula; a formula that includes the ever-popular, Final Girl, who begins as a fragile girl and slowly grows into a strong woman, as she faces her demons along her mythological journey and becomes fully empowered. In the horror magazine domain, the industry appears to be a man’s world with very few female journalists. Managing Editor of Rue Morgue magazine, Monica S. Kuebler, has proved to be the quintessential “final girl” of horror publishing, paving the way for female journalists in the future.
The horror genre is viewed as a male-centered world and magazine readership in the genre adds to that assertion. Rue Morgue, one of the top horror publications, has a readership of 60% male versus 40% female while its competitor, Fangoria, has a male readership of 79% and a female readership of only 21%. Statistics show that the genre is more popular among men and when looking closely at the two magazines, it is apparent that more men are writing about horror than females.
At Rue Morgue, there are twenty-three male editors and writers and only three permanent women on staff, one of whom is Monica Kuebler. Kuebler’s story of landing her position with the magazine and making a full career out of the genre she loves resembles the slasher-film trophy, the Final Girl, due to her determination and dedication to succeeding at her goals. The horror fan happened to be at the right place during the right time—Halloween—and met Rue Morgue’s then-Editor-in-Chief, Rodrigo Gudino. Their chance encounter set off a domino effect in Kuebler’s life, and she soon became the magazine’s managing editor.
Reflecting on her start with Rue Morgue, Kuebler explains, “I met Rodrigo, Rue Morgue’s founder, in the fall of 2002 when I go-go danced at one of the magazine’s early Halloween parties. I mentioned to him that I was also a writer, and as it turned out the mag had a column in need of one, so he gave me a shot.”
She continued, “I freelanced for about a year, then a full-time position opened up, so I applied. I was initially brought on board in an assistant editor slash office admin capacity, but I began to write more and took every opportunity I could to learn more about the editorial process and editing itself, and eventually moved up to Associate Editor and then Managing Editor.”
Her Cinderella story of trying and actually succeeding at getting a position in the genre she’s passionate about only brightens from there. Although her position can sometimes be mundane—assigning and chasing copy, arranging interviews for writers, writing, editing, and finding review materials from distributors— Kuebler can’t complain. She insists that she loves her job, explaining, “I get to be submerged in a genre I love day in and day out. It’s the kind of job you look forward to going to. It’s exciting and challenging and fun, even though it can be very hard work at times and occasionally demands some very long hours.”
Kuebler describes the close-knit group of people on staff as family and praises her position at the magazine for all of the opportunities it has given her. Before Rue Morgue, Kuebler started a small press called Burning Effigy and after becoming full-time staff at the magazine, her company expanded. She explains the benefits of working with the magazine, “I’ve gotten to travel and meet most of my horror idols and influences over the years, which is pretty amazing. It’s also given me some wonderful industry connections that have helped my press, Burning Effigy, as well as myself as a fiction writer when Bleeder kicked off early this year. I’ve also gotten to appear in documentaries and have been asked to contribute to books as a result. It’s helped open up many doors.”
Although her position as Managing Editor has been positive, Kuebler is one of few women writing for the magazine. She insists that her gender has never had an effect on her job or the stories she has written and says that Rue Morgue is very open to female writers. If anything, her gender gives her an advantage because staff at the magazine is always interested in the female voice in horror. Kuebler says, “I’ve never felt like I’ve had to prove myself on any other level than the same one as my colleagues and no one has ever suggested otherwise to me either. In fact, we’re always looking for new female writers to contribute to the magazine, a diversity of voices is something that we really want, but the reality is that the majority of the resume’s and pitches we receive are from men.”
There isn’t a specific reason as to why females shy away from the horror genre or writing for horror magazines, but Kuebler justifies the lack of gender diversity on staff as a reaction to the genre itself. She explains, “Horror is an often brutal, visceral genre and that will never appeal to certain types of women (or men, for that matter). But I think there’s much less of a stigma now about being horror nerd or sci fi geek – for both sexes – now than there was in the past. Some of the biggest blockbusters and hit TV series are genre these days; it’s all gone mainstream. And the more mainstream it becomes, the less an interest in it will be seen as “weird” by the general public.”
Kuebler’s reasoning isn’t completely farfetched and in recent years, horror films have become more of a staple for women than men. According to a 2009 Entertainment Weekly article, film industries are gearing their horror films specifically toward women because they are the individuals who stay loyal to the genre. Women are increasingly being shown positively in horror, and Head of Dimension Films, Bob Weinstein, explains to EW, “The appeal is in watching women in jeopardy and, most importantly, fighting back.”
Statistics prove that women audiences are making horror movies thrive. EW found that in 2002, 60% of the audiences for the box-office hit, The Ring, were female. In 2004, 65% of females helped The Grudge become a success while 51% showed up for 2005’s opening of The Exorcism of Emily Rose. Before horror-themed television network, FEARnet, launched in 2006, they performed a case study and found that a majority of individuals interested in a horror network were female instead of male. This information shows that women enjoy watching horror but it does not explain why they don’t want to write for it.
Kuebler believes that people have a misconception about horror publishing and they assume it’s an industry strictly for men. She says, “Perhaps there is some mistaken perception that the industry is a still some sort of closed-off boys’ club, and the idea of that scares some women away, but that’s really not how it is, at least in my experience.” She went on to say that she is seeing more female interns at Rue Morgue but very few are actually submitting material and resumes to be staff or contributors at the magazine.
Although there are few female newcomers at Rue Morgue, there have been influential women in the past. In 2002, magazine founder and then Editor-in-Chief Gudino handed his position over to Jovanka Vukovic, who remained as Editor-in-Chief until 2009. Vukovic explained how she became involved with the magazine in an interview with website Fear Zone, stating, “I had known Rodrigo [Gudino] for a long time and would travel to conventions with the Rue Crew, working the booth. I was working as a digital effects artist at the time but was a lifelong horror fan. One day it occurred to me there weren't enough women writing for Rue Morgue so I approached him about writing. I figured it was something I could do while my machine rendered FX shots. I wrote a review, which he nearly published verbatim, then he assigned me a secondary cover story, then, shortly thereafter, he sat me down and said ‘What would you think about taking over Rue Morgue?’”
Vukovic had no prior journalism experience at the time but agreed to join the magazine as Managing Editor, where Gudino trained her for two years. After she learned the core values of the magazine and how to run it, Vukovic was given the Editor-in-Chief position, where she stayed until 2009, when she left to pursue her career in writing books and directing horror features.
After Vukovic left Rue Morgue, then Managing Editor, Dave Alexander, took her place and Kuebler took his spot. If she stays with the magazine long enough, she can eventually surpass Alexander and become Editor-in-Chief. Responding to her future plans with the magazine, Kuebler says, “I’ve always said I’ll keep doing it as long as it’s challenging and fun. In many ways, it really is a dream job and it’s hard to walk away from something like that.”
While Kuebler continues her important role at the horror magazine, upcoming female journalists are making their way through the ranks. The magazine’s online editor and contributing writer is April Snellings while its copyeditor is Claire Horsnell. Currently, there are three female interns who may one day become contributors or magazine staff and to that, Kuebler advises, “Keep writing and honing your talents, and don’t be afraid to get in touch with us and pitch stories.”
When I spoke to Rue Morgue founder, Gudino, he explained that he receives many submissions from women; however, finding the right person for the magazine is difficult, explaining, “Rue Morgue has always had a strong female readership and to this day I have a lot of submissions from women, but talented writers—and editors and designers—are hard to come by, no matter what their gender.”
Kuebler happens to be one of the few females that meet Gudino’s standards for the magazine. She explains that the only thing that would make her leave her dream job would be to pursue a career in fiction, stating, “When I do [leave the magazine], I hope it’s to write young adult genre novels full time. That’s a bit of a big dream, I know, but I always tell myself that once upon a time working at Rue Morgue was just a big dream too”
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